Wednesday, 28 March 2012

Comicdom Athens 2012: Valia Kapadai's White Knuckle Ride


Trailer by Costas Lampropoulos, music by the amazing Ermis Koukaris!

This weekend at Comicdom Athens, shockingly talented White Knuckle artist, Valia Kapadai, will be turning the completion of the book into a major convention event by colouring its final pages live from the Comcdom Press table!


In-between laying down her gorgeous White Knuckle colours, Valia will also be promoting Indigo, her latest multi-writer collection. Indigo features stories from the likes of Chris Lynch, Rich McAuliffe and Ollie Masters, all rendered in Valia's unique, poetic and profoundly haunting style.

Valia will also be running a panel, giving away all her precious, precious secret techniques for finding publishers and giving them every opportunity to get as excited about your work as you are. Here's the blurb, direct from the Comicdom site:
 

Valia Kapadai: In Search Of A Publisher


You’ve finished creating your comic book… but this is where it gets really difficult!

In this workshop, Valia Kapadai shares everything she learned through her successful experience in contacting international publishers, and gives a step-by-step guide in creating the “perfect pitch”, without neglecting to mention and examine other alternatives, like self-publishing or webcomics.

Saturday, March 31, 14:00 (Seminar Room)


Visit the Comicdom Athens website for more information.

Monday, 26 March 2012

PRESS RELEASE FOR BRISTOL COMIC EXPO!

We are once again teaming up with one of our favourite publishers to create a totally new promotion at the Convention!

We are dedicating Saturday afternoon at the Ramada Park Suite to present a very special multi-title EXpo EXclusive launch, with short presentations from the creative teams and signings, plus an art show...

Full details will be announced soon on the website www.bristolexpo.co.uk, but here's an EXpo EXclusive Sneak Peek!

1.45pm: MARKOSIA and Friends SHOWCASE
Comic Expo Bristol is very excited to be presenting a brand new format to introduce attendees to the
World of Markosia!

We present FIVE new titles with their creators, including three Convention-only hardback Special Editions that will NOT be available in stores for a dedicated signing session

Plus, our friends CLOCKWORK WATCH will be joining us for this very special event!

EXpo EXclusive Selected Original Art display, featuring Valia Kapadai’s White Knuckle.

1.45pm: doors open with an introduction from Publisher Harry Markos .
2pm WHITE KNUCKLE
2.25pm: HYPERGIRL & HERO 9 TO 5 sequel
2.50pm: SLEEZE CASTLE ET CETERA
THE inCOMPLETE FINAL CUT
3.15pm: SIGNINGS ALL TITLES 
4pm: CLOCKWORK WATCH
 
THE EXPO SPOTLIGHT PRESENTATION!
4.30pm: BAYOU ARCANA
Followed by a final all-title signing session
 ---------------------------
So, if you're coming to the convention, feel free to check out the White Knuckle panel, which will be hosted by Comic Book Outsiders co-host, Scott Grandison. White Knuckle pre-orders are open now. Details and a free preview of the book can be found here.

Thursday, 15 March 2012

Nic's Sticky Notes: Bayou Shock - Or How I Created A Monster

As we get ready for the big launch of Bayou Arcana at the Bristol Comic Expo (along with White Knuckle as part of the Markosia Showcase - it's going to be a big weekend!) I thought I should get with all the cool kids and post one of those "Behind The Drawing Board" things.

So here it is. 

This is how I brought the story of my beautiful swamp witch and her tear-stained, tormented, unaturally long life to be.

Our story is Swamp Pussy and The Hanged Man. Working together, what else could we do but a love story?


We're going to use page 6 (of 12) as our example for no other reason than it was the one I was doing when I remembered to take screen grabs as I went along.

Of course it all begins with the script, and my script was written by the incredible Cy Dethan. If you are reading this you will know who he is, this being his blog, after all. Click on the page if you want to actually read it.



Having read and talked about the script, we next have to design the characters. Here are some initial sketches of Swamp Pussy in her transformed state. Kissy kissy.

It's a bit pale as my pencil sketching is very light, but click on the image and you will see a bigger, better, version,

I didn't really have to think about Swamp Pussy's witch form at all. She was waiting there under the surface paper of the drawing pad, blowing little bubbles and humming a sad song, just waiting for me to call her out.

I drew her leech mouth completely from my imagination, then thought I'd better look up what a real leech's mouth parts looked like. They look like the leeches in my head, as it turns out.

Once all the characters are alive and kicking it's time to build the comic they are going to exist in. I like to thumbnail layouts for an entire story or episode before I start so that I have a sense of the shape and rhythm of the whole thing. I think it's incredibly important when making a comic that you have thought about the art side of things as a coherent whole to be experienced in time by a reader, not as a number of stand alone page or panels.
Here you can see all 12 pages covered in scribbles that no doubt make sense only to me!

The whole story takes place in the shadow, literally and metaphorically, of a huge and ancient swamp tree. Doing the layouts like this gave me the idea of bringing that concept out visually by having one full bleed panel on every page where the tree could extend out infitnitely far, beyond the page, beyond the book, but also act as an axial point of the story with all the panels hanging in its branches.. Had I not been able to see the shape of the entire story like this that idea might not have occured.

This method also makes it much easier for me to be sure that the flow and timing of the script is matched by the flow and timing of the art.

Given that the deadline was nice and far away I had the luxury of drawing non-sequentially, which I prefer, lacking the discipline of a professional artist! I would not be able to indulge that little quirk of doing the bits I feel like on any given day without having the whole thing planned out.

It also makes lettering easier, which I'll come on to next.

After the thumbnails comes the real layout. I draw entirely on a wacom  tablet, so this is where it moves into the computer. As you can see, I just rough out where the main figures are going to go and an indication of their basic poses, attitudes, and spatial relationships.

As the backgrounds are all swamp trees, I didn't draw those in at this stage.

The coloured markings and text that you see over the page are the guidelines for print. They show you what will be cut off by the printing machine (the red bit, called the Bleed), what may get trimmed off (there is variance because it depends on how the paper is postioned in the machines) and so is not safe to assume will be there and should not contain anything important (the yellow bit, called the Trim) and the "Safe Area" (the white bit). I have learnt from experience that you put this layer on the top before you do ANYTHING ELSE!

Doing the art that I am going to be lettering is brilliant. It means that I can be sure right from this very early stage that there will never be any conflict between what is shown and where the letters need to go, whether people are in the right positions to match speaking order and all of the other things that bother letterers in the small hours of the night while everyone else is tucked up in bed!  It also means I don't have to draw the bits behind the lettering!

Below is the page itself as I start to fill it in. You will see some slight changes from the script, some from the layouts, and even the removal of what was to have been Swamp Pussy herself leaning down from the branch in panel 3.

Normally, I wouldn't even necessarily finish each panel before moving on to the next one, but I was trying to be neat with the idea of this future blog in mind.




So that's how I make a comic. Backwards. With the art being the "colouring in" that supports the structure/compostion and the lettering!

Swamp Pussy and the Hanged Man
Story: Cy Dethan
Art & Letters: Nic Wilkinson

"With his final breath, a hanged man curses the faithless lover who betrayed him to his death. Disfigured and transformed, the woman lives a hundred years in the shadow of the Hanged Man’s tree – the Weeping Witch of the Great Arcana. The curse decrees that men will forever be drawn to her and that all who see her will love her. She will never be free until her own heart is broken as the Hanged Man’s was."



Pre-order from Markosia before 1st April for a £3 discount.
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