Thursday, 1 February 2018

Approaching Infinity Part Six: Avengers Assemble (2012)

So here we are at the big pay-off of Marvel's Phase One. Yes, I know it wasn't called Avengers Assemble out in the civilised world, but that's what we got here so that's what I'm going with. Avengers Assemble is exactly what it needed to be in structural terms: every action figure in the collection stuffed into a box and smashed around by an over-excited child. That same over-excited child, of course, has made a career out of turning teenager-level pen-and-paper roleplaying game sessions into screenplays and TV pitches, with somewhat mixed results. Everything Joss Whedon gets his hands on ends up feeling like an adaptation of a 90s RPG campaign, but it definitely works when the circumstances are right. In a superhero film, with an ensemble aesthetic that Marvel's been working on earning since 2008, those conditions are definitely met. In that light, all Whedon had to do to make Avengers work was avoid tripping over his feet while he danced in the end zone. He pulls it off, for sure - even if the film ends up feeling like it's showing what the characters do when they aren't off having their solo adventures, rather than reversing that emphasis.

The Villain
Well, we already know we're on pretty solid ground with Loki here - although he looks like someone's pissed in his proverbials throughout most of this film. Basically, Loki's being bullied by largely unseen forces, and he's putting up with it in hopes of bullying a planet of billions in return. I've talked a fair bit about trying to pin down the MCU villains' motivations in these posts. Loki's plan seems pretty standard stuff, as these things go: he wants to rule the world. Quite what an archetypal force of chaos could be hoping to achieve by imposing order on this scale never quite comes into focus, though. At least the Red Skull saw seizing power as the route toward eliminating the tribal concepts of nations and warfare forever by... wait, why was he the bad guy again? Oh, yeah - killing all the people.

The Story
We're doing Tesseract sky-portal stuff here, with a side-order of genocide. There's a Hollywood saying, which I'm about to butcher, to the effect that once you've spent $100 million, you pretty much have to be saving the world. Usually, that means sky-portals and legions of faceless cannon-fodder enemies. Meanwhile, there's some shouting, shooting and some Hulking out - but basically we're blowing up sky-portals to save the world.

The Universe
There are some ups and downs to the world-building in Avengers. Mark Ruffalo does an admirable job of sweeping Ed Norton under the carpet and stomping the lumps down. Hawkeye gets (ahem) shafted from the outset, but Black Widow gets a decent shake. I don't particularly like this version of the character, but she's given some interesting parts of the story to carry for now. She scores a point off Loki and survives a full-on Hulk attack, which is decent going for an unpowered human in a film with about 4 gods in it. Yes, I said 4, because I'm counting (SPOILERS) Thanos for one and Nick Fury for  another.

That's right: Nick Fury is a god.

He has to be, right? I mean, we established twice in Captain America (once in dialogue and once in action) that a mortal can't touch an Infinity Stone and live. Red Skull evaporates (or gets teleported away, or whatever) when he touches the Tesseract. In later films, we find out that only Celestials are powerful enough to survive contact with the Stones. Barely 10 minutes into Avengers, Fury grabs that same Tesseract with his hand and stuffs it into a briefcase - WITH NO ILL EFFECTS WHATSOEVER!

Also, as in Thor, aliens all speak English. I'll never stop complaining about that in films - and pointing out that Starlord has a translator implant ONLY RAISES FURTHER AND STUPIDER QUESTIONS!

The Stinger
Thanos! The 5% of the people watching who know who that is go wild. Everyone else goes to Wikipedia. Also, like, kebabs or something?

The Take-Away
There is some HORRIBLE scripting in this film, ranging from the clumsily banal ("I don't all the time get what I want") to the skin-shreddingly theatrical ("Humans - they are not the cowering wretches we were promised..."). Still, Avengers Assemble survives that and blasts the ball into the back of the net. Moreover, Marvel makes the unfilmable look effortless - laying a trap that DC can barely seem to stop falling into to this day.

Onward to Phase Two...

Previously: Captain America
Next: Iron Man 3

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