Friday, 13 April 2018

Approaching Infinity Part Sixteen: Spider-Man: Homecoming (2017)

Huh - didn't see that coming...

After the decent stab of Sony's first Sam Raimi effort, I pretty much tuned out of Spider-Man films. I know, I know; everyone else loved Spider-Man 2 more than I did. That's fine. You go right ahead believing that Alfred Molina had the first clue what he was doing with that accent. I won't get in your way.

Don't get me wrong; Spider-Man was my go-to superhero as a kid. I just wasn't that taken with the inexplicable facial contortions of the Tobey Maguire version. The Andrew Garfield ones somehow managed to do even less for me. Anyway, I had fairly low expectations of what Sony could accomplish, given the weirdly hazy idea they had about the specifics of their deal with Marvel. I mean - his solo films weren't going to be in the MCU, then they were. Then the sequel wasn't going to be, now it might. Then Venom simultaneously is and isn't and also somehow doesn't have anything to do with Spider-Man at all.

In the end, though, Spider-Man: Homecoming impressed me a lot. Here's why:

The Villain
Ladies and gentlemen, I think we have a winner. This, right here, is how you build a solid villain for an MCU film. Michael Keaton's Vulture isn't needlessly evil, and he doesn't have a ridiculously unmotivated and/or over-complicated plot to take over, destroy or otherwise inconvenience the world. He's a skilled, ambitious father looking out for his family. He's got legitimate grievances, but never lets them dominate him. He's a thief and an arms dealer, but never goes out of his way to kill anyone. In fact, the single murder he does commit (the film's only death, I think) is accidental. Even when he's getting slammed around by Spider-Man, all he's focused on is trying to get the work done. In this case, that means heisting some technology from the Avengers as a last-ditch "final job" he only needs to resort to because Spider-Man's wrecked everything else he's got going on.

Speaking of Keaton, he completely owns this role. The scene in the car is a full-on classic. He suddenly realises he's got his nemesis in his back seat, apparently trying to threaten his family. He already knows what Parker's capable of, and how precarious this moment is. He's got a gun in his hand, but it's almost useless against the superhumanly fast, strong and alert kid in his car. All he's got going for him are that voice, that face and that single moment in time.

The Story
Spider-Man films have a certain convention that they all seem to cling to. The villain of the piece is necessarily mired in weird coincidences. In the Maguire days, the bad guy was always Parker's best friend's dad, one of his mentors or some sludge that dripped exclusively onto him. With Garfield, it was either a teacher or a guy he'd just rescued and who'd become instantly obsessed with him. In Homecoming, they took the bold step of having the villain pre-date the hero for once. Vulture's been quietly active for years before Spider-Man comes along and throws things off-balance. Despite that, the film still manages to come up with the most awkwardly unearned coincidence of any Spidey flick to date. Out of nowhere, we get a reveal that the Vulture is his would-be girlfriend's dad. I wince every time that scene comes around, but end up instantly forgiving the film because of the car scene that comes right after.

The Universe
Alright, Spidey's back in the MCU! That's great - although I find myself waiting for the inevitable moment when Sony shits the bed again. Tony Stark still hasn't retired as Iron Man, despite endless protestations to the contrary. Spider-Man may or may not have his danger sense - but if he does it's extremely temperamental. Like, he dodges things he probably didn't see coming one moment, then gets severely blindsided by an untrained thug with an unfamiliar science-vibrator the next. I don't think anyone's ever tackled the "spider-sense" particularly well or consistently on film, though, so it'd be weird to ding Homecoming too harshly over that. Also, The Prowler kinda exists, Scorpion possibly will in the future - and maybe Miles Morales too?

The Stinger
Literally anyone who matters knows Spider-Man's secret identity and Captain America thinks you're a moron for sitting through the credits to find out about that.

The Take-Away
I have very few major complaints about Spider-Man: Homecoming - with the one possible exception of the coincidence reveal. There's a solid cast of characters on both sides, and enough soap-opera stuff to balance out the heroics with a bit of "heart". Very interested to see what's next for ol' Webhead - but still full of confidence in Sony's ability to fuck it up yet again.

Previously: Guardians of the Galaxy Vol. 2
Next: Thor: Ragnarok

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